Objects That Almost Work

The ceramic works emerge through process, repetition, and adjustment. Forms are built, interrupted, and resolved through making rather than planning.

I work with clay as a material that records pressure and time. It holds evidence of decision-making in a direct way, where small shifts accumulate into form.

These objects often begin with recognizable structures, but drift as they are worked. They are not illustrative. They are physical outcomes of attention—sometimes stable, sometimes uncertain, always specific to the moment of their making.